Meryl Streep did it again. She garnered yet another Golden Globe Award nomination for her role in the David Frankel directed film Hope Springs. Trailers never sparked my interest, but I gave the flick a shot when I heard of Streep’s nomination.
Kay (Meryl Streep) and Arnold (Tommy Lee Jones) are trapped in a monotonous, tired, and unaffectionate marriage, so Kay decides to make a change. She signs them both up for an intensive week of counseling with Dr. Feld (Steve Carell).
To start, the characters fail to charm. I’m well aware that a good movie doesn’t depend on likeable characters that live happily ever after. Just the same, something about them has to capture me. Kay is mousy, submissive, and just plain pathetic while Arnold is narrow-minded, disrespectful and controlling. I was relieved when Steve Carell entered the picture—he’ll add some much needed humor and charm, I thought. But a surprisingly straight-faced and uninteresting Carell only asks the couple a series of awkward questions, making the film all the more unbearable. Continue reading “Does Hope Spring or Fall Flat?”
Like a splash of cold water, 1992’s Aladdin presented a new kind of Disney Princess—one who was ethnic and wore pants! Before we get too excited, let’s remember: she’s dressed like a belly dancer with a twig-like waist, at one point she’s literally bound in chains, and she’s only a supporting character because (get this) Aladdin is actually about Aladdin. In many ways, Jasmine is a blatant example of an objectified, ignorant “little woman” whose value depends on marriage. But before we condemn her as the worst Disney Princess role-model yet, let’s look again. Actually, no princess fights against her “supporting role” more. Perhaps if we fought against the media’s unrealistic standards of beauty and other social injustices with the consistency and passion of Jasmine we might witness more progress. Continue reading “Fighting for a Whole New World”
The story of America’s (currently) favorite President has finally arrived. Steven Spielberg’s Lincoln gives an intimate view of “honest Abe” as the fate of the thirteenth Amendment (to abolish slavery) and his re-election approaches.
I wanted to love it. I entered the theatre with words like “spectacular” in my head. Nothing beats a spectacular civil war movie (my favorite is Gone with the Wind). Despite the consistently witty script by Tony Kushner, other elements like the acting and score didn’t catch up to its merit for about forty-five minutes. Continue reading “Lincoln: Somewhere Between Brilliant and Boring”
The day I met Belle, I became a princess. Beauty and the Beast introduced a different kind of heroine. Unlike her predecessors, Belle didn’t have talking animal companions, didn’t grow up in a castle, didn’t have fairies to help her, and she wasn’t a mythical creature. No, Belle came from a small town, lived with a loving parent, and was quirky, sassy, and smart. Suddenly every average Jane (or Megan) with her nose in a book, who didn’t fit in, and who felt she was meant for something more had a Disney princess that represented her. What’s more, she inspired every girl to look beyond the surface to see true inner beauty. Did Disney finally create the perfect princess? Continue reading “Belle: The People’s Princess”
The Disney Renaissance hit us with The Little Mermaid and its body bearing heroine, Princess Ariel. A spirited and rebellious explorer, Ariel is determined to escape the oppressive world of the sea to the freedom of the earth above. However, her sudden love for a complete stranger and the stripping of her voice to achieve her dream undercuts her individuality and shows that she simply escapes one form of oppression to enter another. Furthermore, her scanty attire, which doesn’t just display a belly button, but her hip and pelvic bones as well, forces unnecessary attention on the physical form thus perpetuating unhealthy body consciousness and comparisons among young girls. Where’s the glimmer of hope for Ariel as a positive media image for women? Believe it or not, there is hope. Ariel illustrates determination and gumption to live by one’s own rules despite obstacles. She proves that achievement of personal freedom, self-expression, and individual fulfillment comes from defining and being a part of YOUR world. Continue reading “Be Part of YOUR World”
Sleeping Beauty—the very title of the Disney film encapsulates a host of negative messages for women. It reflects a patriarchal view that a woman’s silence marks her value. It’s also indicative of a desire to display women as pretty, inanimate objects. The fact that Princess Aurora is only present for about twenty minutes of the entire seventy five minute movie also does nothing to support her as strong role-model for young girls and women. However, a deeper analysis puts a new spin on both the title and this princess. Continue reading “Wake Up Your Sleeping Beauty”
Disney’s Cinderella: a simple rags-to-riches romance that has influenced decades of young girls and women to dream of their own “happily ever after” complete with Prince Charming. The “sweetest story ever told” seems to perpetuate the idea that salvation from life’s hardships comes through marriage and that finding “Mr. (or Mrs.) Right” transforms one from ordinary to extraordinary. However, considering the movie again, Cinderella actually illustrates a quest for sisterhood and ultimate self-actualization (a sense of oneself as a whole individual). Cinderella’s efforts prove fruitful while her stepmother and stepsisters fail. Cinderella’s recipe for success? Respect, hard work, patient giving, and independence based on a solid sense of self-worth. Continue reading “Cinderella’s Secrets to Success”